Birdhead (Ji Weiyu, born 1980; Song Tao, born 1979)
City Racing (Matt Hale; Paul Noble, born 1963; John Burgess; Keith Coventry, born 1958; Peter Owen)
Young-Hae Chang Heavy Industries (Young-Hae Chang, Marc Voge)

Joseph Beuys: A Private Collection. A11 Artforum, Munich.
Joseph Beuys: Tafel - Objekte - Graphiken. Galerie Bernhard Link, Düsseldorf
Beuys vor Beuys. Palacio de Sastago, Zaragoza and Casa del Monte, Madrid
Beuys 1950 - 1963. Getlinger Photographiert, Stadtisches Museum Kalkar
The Swelling of the Sea | Furthest West - The Atlantic Ocean | Point Ardnamurchan, Scotland | The West-most point of mainland Great Britain
Candy Wrapper, Tokyo/Kimono Pattern Flash Burn Photograph, Hiroshima
Arc/Procession: Develop, Catch Up, Even Surpass
We were Anchored at the Coast of Sansibar and had a Manifesto on Board
Jeff Koons Thinks Martin Kippenberger is Great, Tremendous, Fabulous, Everything
The Family of Darius before Alexander (3) (from Veronese)
From Degas: Combing the Hair (‘La Coiffure’)
From Rembrandt: A Woman Bathing in a Stream
From Constable: Salisbury Cathedral from the Meadows (plate 3)
From Veronese: The Adoration of the Kings
From Rembrandt: The Lamentation over the Dead Christ
Coal Sculpture with Wall of Coloured Glass
Wax Anatomical Model (Shot Crooked from Above)
House and Hill, North Island, New Zealand
GROUND DOWN (&) AND JUST ON THE OTHER SIDE
ATTACHED TO (&) AND JUST ON THE OTHER SIDE
CROSSED OUT (&) AND JUST ON THE OTHER SIDE
Hope (Blue) Supported by a Bed of Oranges (Life): Amid a Context of Allusions
Düsseldorf May 1991. Joseph Beuys - Gang Bang - Fluxus 91
A Room for Thinking of Beuys: A public exhibition to link with the spirit of Beuys, Watari Museum of Contemporary Art
Joseph Beuys: Beyond the Border to Eurasia. The Watari Museum of Contemporary Art
Museum und Kirche Religiöse Aspekte moderner Kunst
Joseph Beuys: Eine Innere Mongolei. Munich Residency
Joseph Beuys: Zeichnungen zur Plastischen Threorie. Museum der Stadt Langen.
Joseph Beuys - Gang Bang - Fluxus - 91, Düsseldorf
Joseph Beuys: Plastische Bilder und Wasserfarbenblätter. Galerie der Stadt Kornwestheim.
Brenn Punkt 2. 1970 - 1991. Kunstmuseum Düsseldorf.
Beuys: Manresa. Kunst-Station Sankt Peter
Beuys: Plakate. Bayerische  Staatsbibliothek, Munich
Joseph Beuys: A Private Collection. Stadthaus Klagenfurt, Theatreplatz 3, Künstlerhaus, Goethepark 1.
Joseph Beuys: Zeichnungen und Wasserfarbenblätter. Dortmunder Kunstverein
Winter Solstice Full Moon, The Pilgrim’s Way 1991
Jimmy Paulette and Tabboo! undressing, NYC
Jimmy Paulette after the parade, NYC, 1991
A Design for a Mirrored Slipcase for Les Dernières Merveilles de la science (A Children’s Book Published by Garnier Frères circa 1900)
Well-lit Pre-Christmas Exhibition in Leopoldstrasse
Five Working Class Lads from the Courtyard of Truth
From Constable: Stoke-by-Nayland (plate 1)
From Constable: Stoke-by-Nayland (plate 2)
Woods near My House, Alum River, Somerset
It Is Believed That Some Dinosaurs Could Run Faster Than a Cheetah
What Falls to the Ground but Can’t Be Eaten
Corner Mirror, brown-blue (737-1, 737-2)
Corner Mirror, green-red (737-2 A, 737-2 B)
Self Portrait Standing, Three Times, 17.3.1991
Armchair Painting - Untitled (educating europe)
Armchair Painting - Untitled (wallbound)
Bouquet, for Bas Jan Ader and Christopher D’Arcangelo
Joseph Beuys: Element 1. Manresa Photo Documentary
Joseph Beuys: Transit. Kaiser Wilhelm Museum
Der Beuys-Raum wurde. Neue Gallerie. Staatliche Museen Kassel
Tip Magazine. Das Magazine Für Alternative Kultur
Das Ist Noch Nicht Gegessen. Bild-Kunst, Bonn
When I Woke Up in the Morning, the Feeling Was Still There
Reading Machine for Parsifal. One Signature
Just what is it that makes today’s homes so different?
E. Horsfield, Well Street, East London, March 1986
As God is in Domination, I am in Ability
Object That Fell off the White Cliffs of Dover
Graves at the Sophienkirche, Grosse Hamburger Strasse, Berlin 1992
‘I signed on and they would not give me nothing’
‘I have been certified as mildly insane!’
Safeway’s Gel Air Freshener, Alpine Garden (Detail)
Joseph Beuys: Aprovechar a las Animas. Museu de Arte Contemporaneo de Sevilla
Joseph Beuys. Eine Aktion in Darmstadt 1967. Hessisches Landesmusuem
Haupstrom Jupiter, Beuys und die antike. Kassel
Joseph Beuys. Museum for Culture, Rendsburg
Hauptstrom Jupiter. Beuys und die antike. Munich
Jahre Capital - Kunstkompass Galerie Denise René
Joseph Beuys. Stadtgallerie Elbeforum Brunsbuttel
Dans plusieurs de ces forêts et de ces bois, il n’y avait pas seulement des villages souterrains groupés autours du terrier du chef mais il y avait encore de véritables hameaux de huttes basses cachés sous les arbres, et si nombreaux que parfois la forêt en était remplie. Souvent les fumées les trahissaient. Deux de...
Over Mont Blanc, All Evidence of Man Removed
Pinboard Prototype #1 (Milan House Project)
Jacob Grimms’ Study in Berlin - Wilhelm Grimms’ Study in Berlin
The Continued Saga of an Amateur Photographer
Study for ‘A Sudden Gust of Wind (After Hokusai)’
Video Opera. Beuys Paik Duet +10. Seibu Museum of Art, Sogetsu, Tokyo
Joseph Beuys: Projekt Westmensch. Museum für Gegenwartskunst
Joseph Beuys: Arena. Hamburger Kunsthalle
Joseph Beuys: The revolution is us. Tate Gallery Liverpool
Joseph Beuys. Man, Nature, Cosmos. Museum of Modern Art Passau
Joseph Beuys: Arena. Museum für Gegenwartskunst, Basel
Self-Portrait (Frieze No. 2, Four Panels)
Burgess Park SE5, Planted 1983, Destroyed 1988
Queens Road SE15, Planted 1988, Destroyed 1992
Wandering about in the future, looking forward to the past
Julie, Den Haag, Netherlands, February 29 1994
Tecla, Amsterdam, Netherlands, May 16 1994
Saskia, Harderwijk, Netherlands, March 16 1994
Half-Brother (Exit to Nowhere - Machiavellian)
Confess All On Video. Don’t Worry You Will Be in Disguise. Intrigued? Call Gillian
Confess All On Video. Don’t Worry You Will Be in Disguise. Intrigued? Call Gillian Version II
A-Z Comfort Unit with Special Comfort Features by Dave Stewart
Revolution: Art of the Sixties from Warhol to Beuys. Museum of Contemporary Art Tokyo
Considering Joseph Beuys. The New School
Joseph Beuys: Aus dem graphischen Werk. Overbeck Gesellschaft
Joseph Beuys: Films and Videos. New School for Social Research and Thread Waxing Space
Joseph Beuys: Multiples. Graphik. Plakate. Bücher. Kolvenburg, Billerbeck
‘The Deluge’ by Doré, 1860 + Military Junta (Photo: Public Records Office)
Cardinal Antonio Quarracino (Photo: Tony Valdez) + Jorge Videla
Flag of the ‘Frigate Libertad’, 1995 + Silhouette of a ‘Disappeared’ Person (Photo: Guillermo Kexel, 1983)
Martínez de Hoz (Photo: ILA Agency, 29/4/88) + Boots (Photo: Alejandro Elías)
Torture Methods in Germany, Drawing From the 16th Century + Military Cap
Military College (Photo: Jorge Saenz) + Nazi Insignia + ‘Trumpet of the Apocalypse’, Anonymous Engraving from the Wittenberg Bible, 1535
The Army Mechanical School + Detail of ‘The Last Judgment’ by Memling
Alfredo Astiz (Photo: AFP, file Grinberg) + Drawing by Leonardo da Vinci, 1489
Buenos Aires Court Palace + ‘Devil with Witch’, engraving from the book ‘Nuremberg Chronicles’, 15th Century
‘Hell’, Drawing by Yaparí, Guaraní Aborigine + Set of Scales
‘The Disasters of War’, Goya, 1810 + ‘The Apocalypse of St John’, Dürer, c. 1500
‘The Four Avenging Angels of Euphrates’, Dürer, c. 1500 + ‘The Departure of the Warrior’, by Amo Broker, Sculptor from the Third Reich, c. 1939
Entrance to the Naval Headquarters + ‘Vulture’, Engraving from the Nouveau Larousse Illustré, c. 1900
‘The Statue of Liberty’ by Dubourdieu + ‘Demons Torturing Sorceresses’ by Thomas Darling, 1597
Nuncio Monsignor Calabresi, Cardinal Aramburu, Viola, Lambruschini and Galtieri (Photo: Loiácono) + ‘Banner of the Spanish Inquisition’, Etching by Bembard Picart
Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860
Nuncio Monsignor Calabresi with Galtieri (Photo: NA) + ‘The Lady of the Witches’ Sabbath’ from ‘Histoire de la Magie’ by P. Christian, Paris 1870
Lieutenant Antonio Pernía (Photo: M. Cuchi) + Engraving from the Book ‘Enchiridion’ by Joost Damhourdert, 1554
Attack Against the AMIA (Photo: Tony Valdez) + ‘Never Again’, p. 48
Videla, Massera and Agosti with Monsignor Tortolo, Vicar of the Armed Forces (Photo: A. Kacero) + ‘The Last Judgment’ by Giotto, Capella degli Scrovegni, Padua 1306
Monument to the Fallen in the Malvinas + F. Galtieri, Jorge Videla and Lambruschini (Photo: Public Records Office)
Third Reich Concentration Camp + Emblem of the Armed Forces
Logo of the Municipality of Buenos Aires + ‘Witches’ by Goya
Videla, Massera and Agosti + ‘Clarín’ 21/8/76
‘Infernal Tortures’ from the Book ‘Grant Kalendrier des Bergieres’ + Officer Saluting (Photo: Tony Valdez)
Videla and Nuncio Pío Larghi + ‘Clarín’ 5/8/76
Engraving by Jan Luy Ken from the Series ‘Religious Persecutions’, 17th Century + Photograph of the Police Doctor Jorge Bergés + ‘Never Again’, p. 139
Souvenir Ashtray from the Frigate ‘Libertad’ + Article from ‘La Opinión’ 25/5/76
Hitler Greets the Catholic Abbot Schachteitner and Muller, Reich Bishop + Jorge Videla Greets Cardinal Aramburu
Entrance to the Military Headquarters + Military Decoration from the Third Reich
‘The Inferno’ by P. de Limbourg + Jorge Videla and Cardinal Aramburu
Hitler with Children + Videla and Massera with Children
Galtieri, Lambruschini and Graffigna in the Cathedral + Article from ‘La Prensa’ 1/7/76
Hitler with Christian Dignitaries + Galtieri, Lambruschini and Viola with Nuncio Calabresi and Cardinal Aramburu
‘Justice’ by Rogelio Irurtia + ‘The Seven Apocalyptical Trumpets’ by Dürer
Scilingo’s Account to Horacio Verbitsky + The Frigate ‘Escuela Libertad’
The Frigate ‘Escuela Libertad’ + Massera (Photo: Public Records Office) + Articles from the Newspapers ‘La Razón’ 6/9/76, ‘La Opinión’ 29/5 and 11/5/76 and ‘La Prensa’ 3/5/76
‘The Deluge’ by Doré + Army Officer’s Cap
Nuncio Pío Larghi Greets Massera, Videla and Agosti on 9/7/77 (Photo: Public Records Office) + El Nuncio Torregrossa greets Hitler
‘The Last Judgement’ by Brueghel + Cross with Videla and Cardinal Quarracino
The Frigate ‘Escuela Libertad’ + Drawing by Leonardo da Vinci
Buenos Aires Cathedral + ‘Witches’ Sabbath’, Drawing from the Douce Collection, Bodleian Library, Oxford
Letters: Cuttings from Newspaper ‘Página/12’ 6/10/95 y 19/10/95
Andrzej Klimowski. Crouch End Road, North London. October 1969
E. Horsfield. Well Street, East London. August 1987
The Flower and Fruit Stalls, Embankment 1995
History Painting 17 Italian. Naples Yellow
History Painting 35 C18/19th. Cadmium Yellow
History Painting 42 C20th. Winsor Yellow
The Most Beautiful Thing I’ve Never Seen
Joseph Beuys: Die spate Druckgraphick. Liechtensteinische Art Collection, Vaduz
Joseph Beuys: In Memoriam. Stromwächter - Mündungswächter, Cuxhaven
Joseph  Beuys: Manresa. Fotos einer FLUXUS-Demonstration von 1966. Hessisches Landemuseum Darmstadt
Conzert Coyote III. Konzertkasse Heinersdorff
Joseph Beuys: hessisches landesmuseum darmstadt, block beuys, hessisches kultur stiftung. Berlin
Joseph Beuys: Kleine Tekeningen. Van Reekum Museum Apeldoorn
Kippenberger / Géricault Memento Metropolis
Forgotten Interior Design Problems in Villa Hügel
Forgotten Interior Design Problems in the Villa Hügel (2nd version)
From Constable: Salisbury Cathedral from the Meadows (plate 1)
From Constable: Salisbury Cathedral from the Meadows (plate 2)
Mosque of the Prophet, Medina, Saudi Arabia
To Walk Into - Massacre on the Mount, Jerusalem, 8 October 1990
To Crawl into - Anschluss, Vienna, March 1938
Raw Material Washing Hands, Normal (A of A/B) Raw Material Washing Hands, Normal (B of A/B)
A: Clapton Park Estate, Mandeville Street, London E5; Ambergate Court; Norbury Court, October 1993
A: Clapton Park Estate, Mandeville Street, London E5; Ambergate Court; Norbury Court; October 1993
A: Clapton Park Estate, Mandeville Street, London E5; Ambergate Court, Norbury Court; October 1993
B: Clapton Park Estate, Mandeville Street, London E5; Bakewell Court; Repton Court; March 1995
C: Trowbridge Estate, London E9; Hannington Point; Hilmarton Point; Deverill Point; June 1995
B.S.A. Tour of Britain Racer Enlarged to 135%
Joseph Beuys: Kleine Zeichnungen. Städtische Galerie Karlsruhe
The Roaring Forties: Seven Boards in Seven Days
Reflection (What Does Your Soul Look Like?)
In my Family When Someone Dies they are Cremated and their Ashes are Thrown Across the Sea
Albert, Bert and Andy (I couldn’t stop it)
When I woke up in the morning, the feeling was still there 1
When I woke up in the morning, the feeling was still there 2
When I woke up in the morning, the feeling was still there 3
When I woke up in the morning, the feeling was still there 4
Window Shopping Until Two in the Morning
Goshogaoka Girls Basketball Team: Ayako Sano
Double Captain Shit and the Legend of the Black Stars
The Return of the Return of the Durutti Column
Joseph Beuys: Haltestellen. Museum Für Gegenwartskunst, Basel
Joseph Beuys: Wasserfarben. Städtische Galerie
Stefan Moses. Galerie Bartsch and Chariau
Joseph Beuys: Posters. Poster museum at Neiderrhein, Emmerich
Joseph Beuys: Manresa. Photo exhibition for the Action. Caritas-Pirckheimer House Nuremberg
Sugar and Spice, All Things Nice, This Is What Little Girls Are Made Of #3
Sugar and Spice, All Things Nice, This Is What Little Girls Are Made Of #7
Sugar and Spice, All Things Nice, This Is What Little Girls Are Made Of #8
Set for Win, Place or Show: East View, West View, Overview
La Révolution devrait faire pour le peuple ce que le Cubisme a fait pour le couteau, la fourchette et la cuillère
A Woman Bathing in a Stream (Hendrickje Stoffels)
Christ after the Flagellation Contemplated by the Christian Soul (1)
Christ after the Flagellation Contemplated by the Christian Soul (2)
Christ after the Flagellation Contemplated by the Christian Soul (3)
Minerva Protects Pax from Mars (‘Peace and War’) (1)
Minerva Protects Pax from Mars (‘Peace and War’) (2)
Minerva Protects Pax from Mars (‘Peace and War’) (3)
Minerva Protects Pax from Mars (‘Peace and War’) (4)
Minerva Protects Pax from Mars (‘Peace and War’) (5)
Rebekha Quenching the Thirst of Eliezer at the Well
Salisbury Cathedral from the Meadows (1)
Salisbury Cathedral from the Meadows (2)
The Family of Darius before Alexander (1)
The Family of Darius before Alexander (2)
The Lamentation over the Dead Christ (1)
The Lamentation over the Dead Christ (2)
The Lamentation over the Dead Christ (3)
The Triumph of Pan (from a Poussin Drawing) (1)
The Triumph of Pan (from a Poussin Drawing) (2)
From Rubens: The Judgement of Paris (plate 3)
Designer Traffic Jam - Celebration of an Intersection
Pamela Running Before the Wind with a Dutch Lighthouse
British Army firing range, Magilligan Point, Lough Foyle, Co. Londonderry
Grosvenor Road RUC Police Station, Grosvenor Road, Central Belfast
RUC Police Station and British Army Patrol Base, Strabane, Co.Tyrone
Springfield Road RUC Police Station, Belfast, Co.Down
From ‘Mountain Scene with Lake and Hut’ circa 1840-5, JMW Turner, N05476, Tate Collection
From ‘Venetian Scene’ circa 1840-5, JMW Turner, N05482, Tate Collection
From ‘Mountain Landscape’ circa 1840-5, JMW Turner, N05486, Tate Collection
From ‘Scene in Venice’ circa 1840-5, JMW Turner, N05488, Tate Collection
From ‘Seascape with Distant Coast’ circa 1840, JMW Turner, N05516, Tate Collection
From ‘A River Seen from a Hill’ circa 1840, JMW Turner, N05475, Tate Collection
From ‘Margate’ exhibited 1808, JMW Turner, N03876, Tate Collection
From ‘Rough Sea’ circa 1840-5, JMW Turner, N05479, Tate Collection
From ‘Chichester Canal’ circa 1828, JMW Turner, N00560, Tate Collection
From ‘Rough Sea with Wreckage’ circa 1830-5, JMW Turner, N01980, Tate Collection
From ‘The Tenth Plague of Egypt’ exhibited 1802, JMW Turner, N00470, Tate Collection
128 Details from a Picture (Halifax 1978) II (Editions CR:99)
Wort und Weise: Exemplariches aus der Sammlung Reiner Speck
Drawings: The Secret Block for a Secret Person in Ireland. Royal Academy of Arts
Joseph Beuys: Partituren Zeichnungen Multiples. Galerie Jan Wagner
das xx. jahrhundert ein jahrhundert kunst in Deutschland. Stadtraum, Berlin
Les Demoiselles d’Avignon vues de derrière
South-most Arrival - The English Channel | At the hour of the Total Solar Eclipse, but on the Day Before | Bumble Rock, Lizard Point, Cornwall, Great Britain | The South-most point of mainland Great Britain
Work No. 203: EVERYTHING IS GOING TO BE ALRIGHT
James. Tate Modern, London. 10 December 1999
Exposed Painting Paynes Grey/Yellow Oxide/Red Oxide on White
Cette obscure clarté qui tombe des étoiles
From Poussin: Landscape with a Man Killed by a Snake
From Poussin: The Destruction and the Sack of the Temple of Jerusalem
From Rubens: Minerva Protects Pax from Mars (plate 5)
From Rubens: Minerva Protects Pax from Mars (plate 6)
Setting a Good Corner (Allegory and Metaphor)
We Fishing the Time (densidades e buracos de minhoca)
Golf Five Zero watchtower (known to the British army as ‘Borucki Sanger’). Crossmaglen Security Force Base, South Armagh
Mountpottinger Road RUC Station, Belfast
The Betrothal: Lessons: The Shipwreck, after ‘Marriage a la Mode’ by Hogarth
Study for the Girl’s Mother in ‘Betrothal’ I
Study for the Girl’s Mother in ‘Betrothal’ II
Morning Cleaning, Mies van der Rohe Foundation, Barcelona
Art For Life’s Sake. Kawamura Memorial Museum of Art
Heraus - Forderung Tier. Städtische Galerie, Karlsruhe
Joseph Beuys: Die Sammlung Staeck. Städtische Galerie, Wolfsburg
Joseph Beuys: Ein Monument für die Zukunft. Museum Kurhaus Kleve
Joseph Beuys: Postcards. Museum for Post and Communication, Nuremberg
Joseph Beuys: Kleine Zeichnungen. Museum Schloss Moyland
Beuys. Applied Arts / Contemporary Arts. Mak-Ausstellungshalle
Work No. 232: the whole world + the work = the whole world
Work No. 227: The lights going on and off
Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998
The Last Thing I Said to You was Don’t Leave Me Here II
Untitled #20, Man Walking in Grass, Memphis, 2000
Trinity - Pharmacology, Physiology, Pathology
Bankside Power Station, London. December 1994
Untitled (Woman Turning into a Telephone)
The Ring: Andy Warhol and Jean Michel Basquiat Boxing
Joy Division, The Moonlight Club, 4 April 1980, West Hampstead, London, England
From Poussin: A Bacchanalian Revel before a Term
The Spider that Died in the Tower of London
Loss of Selves, Place and Transformation
160 cm Line Tattooed on 4 People El Gallo Arte Contemporáneo. Salamanca, Spain. December 2000
‘Hommage à Joseph Beuys’. University and Landesbibliothek Düsseldorf
Joseph Beuys: ‘Pflanze, Tier und Mensch’. Städtische Galerie, Villingen-Schwenningen
Joseph Beuys: The Secret Block for the Secret Person in Ireland. Kunsthalle Tübingen
St Ives Bay and the Celtic Sea | The Island, St Ives, Cornwall, Great Britain
St Ives Bay and the Celtic Sea | Godrevy Point, Cornwall, Great Britain
The North Atlantic Ocean and the Celtic Sea | St Agnes Head, Cornwall, Great Britain
Tomorrow, And Tomorrow, And Tomorrow (K)
The Battle of Orgreave Archive (An Injury to One is an Injury to All)
Untitled #46, Man in Wheelchair, Detroit, 2001
A Cube Sol LeWitt photographed by Carol Huebner using nine different light sources and all their combinations front to back back to front forever
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)
Work Made-ready, Les Baux de Provence (Mountain Bike)
I Love King’s Cross and King’s Cross Loves Me, 8
Joseph Beuys, Ewald Matare and Eight Cologne Artists. Museum Schloss Moyland
from ‘Our Love is Like the Flowers, the Rain, the Sea and the Hours’
A Couple of Differences Between Thinking and Feeling (Ape Looking Towards Heaven)
A Couple of Differences Between Thinking and Feeling (Flattened)
Untitled #38, Woman on Sidewalk, New York, 2002
Colorado Impression 11b (after Dan Hays, Colorado)
Tie a yellow ribbon round the old oak tree
There’s more to life than making jam and having kids
Oh my God ... and for those really stubborn stains!!!!!??*
Flaga (1972-2000). A Fiat 126 Produced in Turin, Italy, in 1974 and Customized Using Parts Manufactured and Fitted in Poland, Following a Journey of 1290 km from Turin to Cieszyn
Attention Archangel Radio Free Dunkirk is Reporting a Scotch Mist All Risks Apply
Faeroes Southeast Iceland Gale 8 Occasionally Severe Gale 9 Epic Problem on Radio 4
A Couple of Differences Between Thinking and Feeling II
Typo/Topography of Marcel Duchamp’s Large Glass
From Medina to Jordan Border, Saudi Arabia: Sahl al Matran
From Medina to Jordan Border, Saudi Arabia
From Medina to Jordan Border, Saudi Arabia: Arqanat
From Medina to Jordan Border, Saudi Arabia: Al Mutalla
Gate (We don’t meet here. We are always together first.)
Souped Up Tea Urn & Teapot (Dartford 2004)
“La Inalámbrica” Building / Metropolitan Building, Habana Vieja
Quinta Rosario / “Fructuoso Rodríguez” Secondary School, Vedado
Cine Majestic / Carpentry Shop, Habana Vieja
Soviet Embassy / Russian Embassy, Miramar
What Happens in Halifax Stays in Halifax (In 36 Slides)
Just what was it that made yesterday’s homes so different, so appealing? (upgrade)
David Standing 4th May 2004 and David Sitting 4th May 2004
La Passion de Jeanne d’Arc (Rozelle Hospital, Sydney)
Grub for Sharks: A Concession to the Negro Populace
A Personal Repertoire of Possible Behaviour While Walking the Streets in London Town
Revolution: Art of the Sixties from Warhol to Beuys. Museum of Contemporary Art, Tokyo
Joseph Beuys: Róslina, zwierze i cztowiek. Muzeum Górnoslaskie w Bytomiu
Joseph Beuys: Posters. Hermann Voith Gallery
Joseph Beuys: Actions, Vitrines, Environments. The Menil Collection
Mess Hall, Isla de Pinos / Isla de la Juventud
Robbed us with the sight of what we should have known
After Lunch, Trying to Build Railway Ties
Plans for a Second Hand of the Great Clock of Big Ben
The Chittendens: The Resuscitation of Uplifting
Untitled, 2005 (sleep on earth, eat on sand)
8 Possible Beginnings or: The Creation of African-America, a Moving Picture by Kara E. Walker
Rollerstacker, R-136MR, Manufacturer: The Kaynar Company, Los Angeles, CA, 90054, Date of production: 1975. Vancouver, BC, April 6, 2005. (NR. 1, 2, & 3)
I do not own Tate Modern or the Death Star
Johannisnacht gefallene Bilder. The secret life of plants
H.2.N.Y. Self-constructing Self-destroying Tinguely Machine, Museum of Modern Art, 17th March 1960
The selected drawings of the Istanbul Notebooks 2005
Phantom Reportage (Charlotenburg) and selected drawings of the Phantom Reportage Notebooks
‘All that’s solid melts into air (Karl Marx)’
Pedro Vasquez, Fed 2, from the project The Last Photo
Milan, Agfa Isolette, from the project The Last Photo
Friday 28 April 2006. East region of Mexico City (Iztapalapa, Iztacalco and Tlahuac). Speech by Delegate Zero at the Eastern Region College of Science and Humanities
A traditional dancer and crowd salute Jean-Pierre Bemba as he makes his way to a rally from the airport, Kinshasa
Jean-Pierre Bemba, presidential candidate, enters a stadium in central Kinshasa flanked by his bodyguards, July 2006
Protesters calling for a boycott of the elections, central Kinshasa, July 2006
Supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport, Kinshasa, July 2006
Armchair Painting - Untitled (the fact of the matter is)
Studio Wall Drawing: 5th June 2006 - High Resolution - “Large Field Array” (14x14x3 pixels) ..... (300)
Astrophotography...The Traditional Measure of Photographic Speed in Astronomy...’ by Siegfried Marx (1987)
J Beuys: Difesa della natura. Venice Biennale 2007
Non Specific Threat (Production Still) 2003
About the Spirit of Gravity (or the Blacksmith and the Cutting of the Serpent)
Untitled 01 (from I Once Was What You Are, You Will Be What I Am portfolio)
Untitled 02 (from I Once Was What You Are, You Will Be What I Am portfolio)
Untitled 03 (from I Once Was What You Are, You Will Be What I Am portfolio)
Untitled 04 (from I Once Was What You Are, You Will Be What I Am portfolio)
Untitled 05 (from I Once Was What You Are, You Will Be What I Am portfolio)
Untitled 06 (from I Once Was What You Are, You Will Be What I Am portfolio)
Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique
Phase I... Running Start Shape the Battlespace pewter
Phase II... Running Start Decisive Operations violet
Force at End of Phase III (If Required) violet
Slides in the Turbine Hall, Tate Modern, London, 2007
White Tiger (Kenny), Selective Inbreeding Turpentine Creek Wildlife Refuge and Foundation Eureka Springs, Arkansas
Forensic Anthropology Research Facility, Decomposing Corpse University of Tennessee Knoxville, Tennessee
Nuclear Waste Encapsulation and Storage Facility, Cherenkov Radiation Hanford Site, U.S. Department of Energy Southeastern Washington State
The Central Intelligence Agency, Art CIA Original Headquarters Building Langley, Virginia
Transatlantic Sub-marine Cables Reaching Land VSNL International Avon, New Jersey
U.S. Customs and Border Protection, Contraband Room John F. Kennedy International Airport Queens, New York
Jury Simulation, Deliberation Room with Two-Way Mirror DOAR Litigation Consulting Lynbrook, New York
The Ten Commandments, Buried “City of the Pharaoh” Film Set Nipomo Sand Dunes Guadalupe, California
Sick Serena and Dregs and Wreck and Wreck
Body Techniques (after A Line in Ireland, Richard Long, 1974)
Body Techniques (after Parallel Stress, Dennis Oppenheim,1970)
Body Techniques (after Lean In, Valie Export, 1976)
Body Techniques (after Sculpture II, Kirsten Justesen, 1969)
Body Techniques (after Dance or Exercise on the Perimeter of a Square [Square Dance], Bruce Nauman,1967-68)
Body Techniques (after Encirclement, Valie Export, 1976)
Body Techniques (after Hartford Wash: Washing, Tracks, Maintenance: Outside, Mierle Laderman Ukeles, 1973)
Body Techniques (after Circles, Ulrich Ruckriem, 1971)
Syrian resistant. Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani
Syrian resistants. Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard profile portrait, mandatory for candidates to military service. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard frontal portrait, mandatory for candidates to military service. Hashem el Madani
Sha’ia Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani
Anonymous. UNRWA school, South Lebanon, 1960s. Hashem el Madani
Kulthum Saqqa. Saqqa family house, Saida, Lebanon, 1948-53. Hashem el Madani
A fisherman with his daughters. Saqqa family house, Saida, Lebanon, 1948-53. Hashem el Madani
Anonymous. Client’s home, Saida, Lebanon, 1948-53. Hashem el Madani
Student of Aisha Om el Mo’minin School for Girls. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani
Students of Aisha Om el Mo’minin School for Girls. Ibtissam Hashisho (right) and a school friend. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani
Students of Aisha Om el Mo’minin School for Girls. Sakakini (right) and Hadiyeh Bsat. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani
Student of Aisha Om el Mo’minin School for Girls. Haydar. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani
Students and teachers of Aisha Om el Mo’minin School for Girls. Wadiah Lofty (right) and a school teacher colleague. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani
Anonymous. South Lebanon, 1952. Hashem el Madani
Abu Zahr and his wife. Studio Shehrazade, Saida, Lebanon, 1973-74. Hashem el Madani
Palestinian couple from Ain El Helweh. Studio Shehrazade, Saida, Lebanon, 1973-74. Hashem el Madani
Couple from Iqlim El Kharrub. Studio Shehrazade, Saida, Lebanon, 1973-74. Hashem el Madani
Anonymous. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Amin Hijazi (left) and his cousin Gharamti. Studio Shehrazade, Saida, Lebanon, 1950s-1960s. Hashem el Madani
Anonymous. Madani’s parents’ home, the liwan, Saida, Lebanon, 1949-53. Hashem el Madani
Hnayneh  Madani’s parents’ home, the liwan,  Saida, Lebanon, 1948-53.  Hashem el Madani
Anonymous. Madani’s parents’ home, the liwan, Saida, Lebanon, 1948-53. Hashem el Madani
Hayat Sanioura. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Baqari’s wife. Studio Shehrazade, Saida, Lebanon, 1957. Hashem el Madani
Palestinian resistant. Studio Shehrazade, Saida, Lebanon, 1968-72. Hashem el Madani
Zarif, a Palestinian resistant. Studio Shehrazade, Saida, Lebanon, 1968-72. Hashem el Madani
Ringo, a Palestinian resistant. Studio Shehrazade, Saida, Lebanon, 1968-72. Hashem el Madani
Hassan Jawhar. Studio Shehrazade, Saida, Lebanon, 1968-72. Hashem el Madani
Reesh. Studio Shehrazade, Saida, Lebanon, late 1960s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani
Abu Jalal Dimassy (centre) and Two of his Friends Acting Out a Hold-Up. Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1960. Hashem el Madani
Palestinian resistants. Studio Shehrazade, Saida, Lebanon, 1968-72. Hashem el Madani
Palestinian with his guitar. Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1972. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani
Two Young Men from Aadloun. Studio Shehrazade, Saida, Lebanon, 1966. Hashem el Madani
Jradi (left) and a friend. Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani
Najm. Studio Shehrazade, Saida, Lebanon, 1956. Hashem el Madani
Ahmad el Abed, a tailor, and his brother. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Ahmad el Abed, a tailor. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Ahmad el Abed’s sister. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Ahmad el Abed, and his friend Rajab Arna’out. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Son of Lebanese residents in an African country, and a relative. Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani
Tarho and El Masri. Studio Shehrazade, Saida, Lebanon, 1958. Hashem el Madani
Bashasha (left) and a friend. Studio Shehrazade, Saida, Lebanon, late 1950s. Hashem el Madani
Palestinian girl writing a letter to her lover. Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, early 1960s. Hashem el Madani
Najm (left) and Asmar (right). Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1960s. Hashem el Madani
Anonymous. Studio Shehrazade, Saida, Lebanon, 1980-82. Hashem el Madani
A student. Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani
A girl and her brother. Studio Shehrazade, Saida, Lebanon, 1960s. Hashem el Madani
Twins. Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani
A man from Ghazieh and his daughter. Studio Shehrazade, Saida, Lebanon, late 1950s. Hashem el Madani
Anonymous. Madani’s parents’ home, the studio, Saida, Lebanon, 1949-50. Hashem el Madani
Two Palestinian sisters. Studio Shehrazade, Saida, Lebanon, 1960s. Hashem el Madani
Woman from Tyr. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Muwafaq el Rawas, now a Sheikh. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani
Mursi (right) and a friend. Studio Shehrazade, Saida, Lebanon, 1958. Hashem el Madani
I may not be a Ruralist anymore, but this morning I saw a fairy in my garden in Chiswick
Erecting of the Paternoster Square Column
AC: Blind Self Portrait: Glasgow-Cove Park
Apartment building, Avenue Bagamoyo, Beira, Mozambique
Old landline exchange, Post Office, Lubumbashi, DR Congo
Park in the centre of town, Gabela, Angola
Clockwise from Manufacturer Name (Outer Ring) Michelin zX Treadwear 200 Traction A Temperature B Clockwise from Tire Size (Inner Ring) 135  SR  15 723  E2  0177523 Tubeless Radial X Made In France TN  2148  20-2044 Tread: 1 Polyester Ply + 2 Steel Plies S
Untitled (View of the Port at Onomatopoeia)
Joseph Beuys. Hessisches Landesmuseum Darmstadt
On red nails, palm trees and other icons - Al Archief (Take 2)
POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’
POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Frame 1: ‘I Remember Having a Conversation with Liam Gillick’
Study from the series ‘Liquid Modernity’
BLACK MAP SERIES (America North Central)
May Heaven Preserve You From Dangers and Assassins
Untitled (Riots shields in the high street)
Joanna (An Unsubstantial Fraction) (Of Substance Without Action)
The Body and Ground (Or Your Lovely Smile)
YOUNG-HAE CHANG HEAVY INDUSTRIES PRESENTS: DOWN IN FUKUOKA WITH THE BELARUSIAN BLUES
Fictionville: Blackness Ringed with Light Bulbs
Fictionville: Poverty is the Spectre of Genius
Fictionville: Praying for Each Other’s Salvation
Fictionville: The Miniature Wings of Speedy Thoughts